2023 Indie Ink Awards Finalist; Writing the Future We Need: Disability Representation by a Disabled Author
The
birthright of every Ástfríður is to know each metal in the earth,
command it, bend it to their desires. To hear metal singing, some of it
waiting just beneath the surface, so much of it deeper in the earth. If
they wanted, they knew they could pluck that metal from the earth, melt
it with a thought, and shape it as they pleased with a breath of air and
their will.
Each Ástfríður must choose which metal they would wear upon their heads, denoting the path they would walk. They craft beautiful horns to wear on their brow, forged with the metal they wish to identify with.
But Britt does not know if they can choose the path they want, if they can overcome a past which has stolen their identity. The day has come for them to choose and they have no idea if they have any right to even try to. And Astrid has never felt the pull of the metal at all.
Each Ástfríður must choose which metal they would wear upon their heads, denoting the path they would walk. They craft beautiful horns to wear on their brow, forged with the metal they wish to identify with.
But Britt does not know if they can choose the path they want, if they can overcome a past which has stolen their identity. The day has come for them to choose and they have no idea if they have any right to even try to. And Astrid has never felt the pull of the metal at all.
Wearing a forged circlet and horn, they try to
navigate a world that they feel has rejected them, all the while fearing
someone will learn their secret. The Veil of the Ástfríður has kept
them hidden from the world, and safe from intruders. Yet Britt and
Astrid feel they are imposters in their own homes.
Shades and Silver is a
duology about identity, doubt, disability, and acceptance set in the
universe of Scions and Shadows.
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